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Michelsberg Synagogue in A Virtual
Reconstruction |
Abstract |
For the 9/10th of November 1998 - 60 years after the
persecution of German Jews became murderous - a spectacular project of
remembrance was started. It brought together a group of teachers and students
under the name of “memo 38” at the With history in mind they set out to gather a mosaic
of information. Since there do not exist any remains
or plans of the synagogue, the reconstruction could make use of only some old
photographs, post cards, rough drawings and historic text documents. Thanks
to communication with many sources, archives, and especially people it was
possible to collect numerous facts about the synagogue and gain new insides.
Working for two years, using modern computer techniques, and constantly in
search for sponsors, they created a virtual reconstruction of the beautiful Michelsberg Synagogue. The results are stunning and were
displayed as video on a large screen directly at the site on The study released discussions and intensive dealing
with the recent past. Trying to virtually reconstruct and visualize what has been made unrecognizable may keep
memory alive against forgetting. |
History of
the site in 133 years |
1869 1904 Images from the early twentieth century show how the
synagogue had been well blended into the 1938 In the night of November 9th, hundreds of
synagogues in 1939 The ruined building was demolished and removed in
summer of 1939. 1950 The pedestal base was finally removed after the war.
At this time the road was enlarged. Subsequently, all visible traces of the
synagogue disappeared. 1960 During the fifties and sixties the site was a small
park “Heinrich Heine Anlage”
and a stone sculpture was put up. Once a year in November an hour of
remembrance took place. Considering what happened afterwards, the site was at
least kept free as a place of respect to its historical relevance. 1970 In the early 1970's, as part of a traffic plan, a
road bridge was built across the site. The existing stone memento was moved
behind the overpass and people forgot about the existence of the synagogue. 1980 In the last two decades, proposals have been made to
redesign the site, including to tear down the
controversial bridge. 1995 An installation called FRAGMENTS consisting of
several elements was erected by the architect Heinrich Lessing
and the 1998 The
“memo 38”
film
recreated the impression of the synagogue for the first time directly at the
site during the commemoration of 9th
of November. Again in 1999 and 2000 the virtual synagogue film was shown in
front of the overpass on a large screen. 2001 In April the demolition of the bridge began. A new chapter
was opened. 2002In
August the ”memo 38” show and film were
opened in a new exhibition space at city hall. |
The Project |
In March 1998 Interior Design students started the "memo
38" group and began to work on the computer reconstruction of the destroyed
Synagogue of Wiesbaden. The project was divided into two parts: For November
1998 the exterior was reconstructed, for November 1999 the interior of the
synagogue was presented by a computer animated film. The name "memo
38" evokes memory, memorial, commemoration and "post it". |
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Research |
Since the construction files with plans and drawings
have been lost completely, the “memo38”
group’s research depended on collecting photographs gathered from local
citizens and information provided by historical institutions and archives.
First the search in One turned up at the Jewish Museum in The experience to connect to those, who actually
still remember the original synagogue was very
important for the students. Thus they learned about the passing of time.
People get older and when they die, they take their memories with them. Now
is the very last moment to receive authentic information from personal
recollections. The most moving encounters occurred with survivors
who had prayed and sung in the beautiful sanctuary. When they saw the work in
progress they often reacted emotionally. |
Reconstruction |
Paulgerd
Jesberg, teacher at the university, had prepared
geometrical studies that sharpened the understanding of the building's
proportions. By combining his information with a close analysis of the
photographs, it was possible to determine scales and measurements. Due to the architectural complexity of the
synagogue, erected 1869 by Philipp Hoffmann in Moorish
style, the computer reconstruction and visualization has been organized in
two phases of representation, first the exterior, then the interior. Next the building was divided into separate segments
and each student was assigned a different segment for editing. An intensive
analysis of each element and its ornaments with the magnifying glass
followed. The next step was to develop construction drawings for scaling. |
Digitalization |
Once the modeling of each segment was completed,
they were reassembled to form a single wire frame model. Then the textures
were mapped over the frame and supplied exterior finishes to create the
building's skin. By using some original water-colored design sketches by the
architect Philipp Hoffmann a RGB-color range was
developed to create the most realistic color impression of the interior
decoration. As a next step the storyboard was developed, different
camera tracks were checked and the scene design, lights, and atmosphere were
created. After the rendering the computer animation was edited at a
postproduction studio in |
Purpose |
The content of the project is not nearly an abstract
architectural object. This film is a visible, virtual and enduring memorial
to the |
Results |
After more than 12.000 hours of work the project was
completed. A number of Jews from In August 2002 the ”memo
38” show and film were opened in a new exhibition space at city
hall. |
memo 38 |
A project of the Department of Interior Design Fachhochschule
Wiesbaden University of Applied Sciences Department of Interior Design Unter
den Eichen 5 65195 Wiesbaden /Germany. Fon: +49 (0) 611 / 1880 171 Fax: +49
(0) 611 / 1880 173 E-Mail: info@memo38.de project
director Dipl. Des. Edgar Brück academic
director Dipl.
Ing. Paulgerd Jesberg Prof.
Dr. Ing. Falk Krebs computer
reconstruction and animation: Dipl.
Ing. Claudia Bube Jürgen
Eckhardt Dipl.
Ing. Yiliu Fan Johannes
Henn Dipl. Ing. Ludowika Mann camera and
cut: IVT postproduction house GmbH Joscha
Brück compositing: IVT
postproduction house GmbH
Piers Freeman Scott
Lockwood
sound: TRITONstudio Christian Listmann historical research: Dipl.
Ing. Dipl.
Ing. Renate Scheurer Dipl.
Ing. historical
advice: Lothar Bembenek Dorothee Lottmann-Kaeseler Dipl.
Ing. Heinrich Lessing Dr. Jacov Gutmark filmdesign advice: Dipl.
Des. Bodo Keller, UPSTART! musical
advice: Daniel Kempin reprography: photography: Dipl. Des. Cornelius Breymann typographic advice: Prof. Dipl. Des. Christine Wagner documentation Barbara Petri Dipl.
Ing. Dipl.
Päd. Gesine Werner Susanne
Wilhelm
resource persons We
are grateful for cooperation
Without the financial, technical and logistical
support of many institutions, archives, and companies the project would not
have been possible with this high standard. We would like to thank everyone
who has been helpful. sponsors
and patrons: |